DIY ethics refers to self-sufficiency ethics through task completion without the help of paid experts. Literally meaning "do it yourself", DIY ethics promotes the idea that anyone is capable of performing various tasks rather than relying on paid specialists. DIY ethics requires adherents to seek the knowledge needed to accomplish a given task. This term may refer to various disciplines, including home improvement, first aid or creative work.
Instead of underestimating or showing disdain for those involved in manual work or skilled crafts, DIY champions are the average individuals seeking such knowledge and expertise. The essence of ethics is the empowerment of individuals and communities, encouraging the use of alternative approaches when faced with bureaucratic or community obstacles to achieve their goals.
Video DIY ethic
Budaya Punk
In the punk subculture, DIY ethics is associated with punk ideology and anticonsumerism. It supports the rejection of consumer culture, using existing systems or existing processes that will encourage dependence on established community structures. According to punk aesthetics, one can express himself and produce a work that moves and seriously with limited means. Arguably the earliest example of this attitude was punk music in the 1970s. Emerging punk bands such as Death, who recorded their early demos in the bedroom without professional equipment, began recording their music, producing albums, merchandising, distributing and promoting their work independently, outside the established music industry system. So extreme is their desire for independence that they often do in dungeons in residential homes rather than in traditional places to avoid corporate sponsorship and ensure their creative freedom. Because many places tend to shy away from more experimental music, homes and other private places are often the only places that these bands can play.
Riot Grrrl, associated with the feminism of the third wave, also adopted the core values ​​of DIY punk ethics by utilizing creative ways of communication through zines and other projects.
DIY punk ethics adherents can also work collectively. For example, presenter punk CD David Ferguson Presents is a production of DIY concerts, recording studios, and network record labels.
German punk band, Mono fÃÆ'¼r Alle! perfecting the mass production of homemade DIY albums. Their album included a tangled wooden cover and sold over 6000 units from their website and other alternative sources.
DIY punk ethics also applies to simple daily life, such as:
- Learn to fix a bicycle instead of taking a bicycle to a mechanic's shop. (See also: Cooperative bicycle.)
- Tailoring, repairing, or modifying clothes rather than buying new clothes.
- Gardening vegetables.
- Reclaim products that can be recycled with garbage.
Some educators are also involved in DIY teaching techniques, sometimes referred to as Edupunk.
Maps DIY ethic
Music
DIY music comes from the mid 1970s punk rock scene. It was developed as a way to surround the mainstream music industry. In 2014, speaking about the 80s and 90s, Steve Albini told of the difficulty of getting recorded and playing on the radio, saying "So these independent bands have to be resourceful, they build their own infrastructure from independent clubs, promoters, fanzines and DJ. "He sees the Internet culture as a continuation of this scene," They have their own promotional channels, including the beginning of the prevalent Internet culture - bulletin boards, and newsgroups. "
DIY music bands do it all by themselves or with independent collaborators, from album production to marketing and communications. This choice primarily reflects the need to emphasize independence in relation to major record labels and the music industry in general.
Technological advances and cost reductions have made it easier for bands to become independent. The mass-market electronics industry has brought recordings of music and production to consumers.
By controlling the entire production and distribution chain, DIY music bands can develop closer ties between artists and fans. DIY ethics provides full control over the final product without the need to compromise with record labels.
The conflict between DIY and the music industry is fueling a heated debate between the two camps: the majors that ensure that record labels still play an important role to play in the production of music recordings, while renowned artists maintain the autoproduction model (Radiohead and Nine Inch Nails for example). Many terms used to qualify DIY band music (autoproduction, indie band, direct-to-fan...) and the opposition 'DIY vs Industri' can be found in terms of 'independent music', or the term 'musical skill'. '
Skateboarding and biking
In the skateboard culture, DIY skateparks are parks or skate spots made by the skater themselves. It involves woodwork, concrete, and diverse skills to build the most original and creative space for skate.
The world's most famous, and probably first, Skatepark DIY ever made is Burnside Skatepark, located in Portland, OR. Built unlicensed by skateboarders and then approved by the city, Burnside is an example of the best course of action. The Park appeared in Free Willy film in 1993 and many years after that, in 1999, this park was part of Tony Hawk's video game Tony Hawk (series). In 2007, he became the epicenter for Paranoid Park by Gus Van Sant (film).
After that the culture spread and other parks began to emerge. Skatepark FDR Philadelphia, San Diego's Washington Street, San Pedro's Channel Street, Seattle's Marginal Way, St Louis' King's Highway and the last one is the Brooklyn Street Skate Spot in Portland.
The DIY skateboarding culture runs to Europe, Brazilian PraÃÆ'§a DuÃÆ'³ and other parts of the world, becoming the main style and theme for Pontus Alv's unique approach to skateboarding in Strongest of the Strange .
The DIY bike project can include creative ways to change or change your bike, but it's primarily built to empower cyclists to understand how their bikes work and how easy they are to improve themselves to make cycling an easier transportation option. Cycling has also seen explosions of DIY-style shops ("bicycle co-ops"), such as the Bicycle Kitchen in Los Angeles, where anyone can come and be guided by volunteers and gain access to tools to maintain and modify them. bicycle alone.
Worldwide
United Kingdom
Originating from the late 1960s and early 1970s in the form of free festival movements, it mutated through protest camps (thereby incorporating elements of earlier radical tendencies such as taps and peace movements) and into punk through bands like Crass, DIY culture became something of a recognized movement in the 1990s in England, where protests (direct action) and festivals (festivals) met. The main example of this movement is Exodus Collective. This development was a significant cross-pollination of fun and politics that resembled anti-disciplinary politics in the 1960s. During the 1990s, demonstrating a desire for an economy of mutual help and cooperation, a commitment to non-commodifying the arts, the use of digital technology and communications for free community purposes, and a commitment to alternative technologies such as biodiesel. From 1991-1997, the Conservative government persecuted squats, animal rights activists, green, travelers, as well as rave, party, and dance culture.
In 1994, the British Empire passed the 1994 Criminal Justice and Public Order Act which contains sections designed to limit the movement of free and party free anti-street protests (sometimes embodied by travelers and travelers). It empowers police to capture people who seem to be preparing for a rave, waiting for a welcome reception, or attending a rave.
United States
DIY culture in the United States can be attributed to many of the same philosophies of the 1900s Arts and Crafts movement, which seeks to reconnect people with the immediate and aesthetic activities associated with them. This is in direct opposition to the prevailing industrialization and modernization that drives many aspects of cultural aesthetics away from the artificial style of the craftsmen of the past and towards the mass-produced modern vision of the future. DIY culture in the United States can be arguably evolved from simple cost-saving activities from the 1940s and 1950s to an increasingly radical political activity that challenges the increasingly visible trend of mass production, the conspicuous consumerism, wasteful, and industrial enterprise philosophy of obsolescence planned.. DIY culture in the US is a loose coalition now and growing from various individuals. There are many members of DIY culture with different philosophies and objectives and activists, such as Betsy Greer who coined the term Craftivism in 2003. There are also many people with strong neutrality on the political and social issues adopted by other members of the DIY movement. The largest group falls into the region somewhere between these two oppositions, which vary in the spectrum of political and social philosophy as members of a large and growing subculture.
In John Isaacson's book Do-It-Yourself Screenprinting, published by Portland, Oregon's Microcosm Publishing, which gained fame by publishing and distributing various zines, Jason Munn was quoted in the "screenprinter profile" as related to the media as following:
I love the idea of ​​designing or illustrating things and doing my own printing. Most of my time is spent in front of the computer so printing is a great way to make my hands dirty again, so to speak.
In modern society, people rarely go more than a day without interacting with computers or other modern technologies. This causes disconnection between people and the physical world around them - including others - and is a significant secondary motivational force in leading people to embrace DIY culture.
Carla Sinclair, Chief Editor of Craft is trying to describe the DIY community: "The DIY Renaissance embraces craft while pushing them beyond traditional boundaries, through technology, irony, irreverence, and creative recycling, or by using innovation materials and processes... new craft movements encourage people to make things on their own rather than buy what thousands of others already have.This provides a new place for craftsmen to show and sell their merchandise, and offer an original alternative, not regular, and better items are made for consumers who choose not to fall in step with mainstream trade. "Ellen Lupton beautified this thinking in his DIY Design Yourself: "Around the world, people make their own goods to save money, to tailor items to suit their needs and interests, and to feel less dependent on the company that produces and distributes most of our products and media Above this practical and political motivation is the pleasure that comes from developing ideas, making them physically real, and sharing them with others. "Isaacson and Lupton's articulation is that DIY's activities and culture are not only unique in the world of modern consumerism, they give pleasure to its members simply because lack of control of the firm or the idea of ​​profit and selling power that is often given to the act of creation outside the art world.
This view is not universal or without variation. In his introduction to Tsia Carson for his book 'Craftivity: 40 Projects for the DIY Lifestyle,' he mused that "the kind of agent that benefits one's life by making their goods surely strong, intoxicating things.But I can not be honest" < why I make something.I am making things for spiritual reasons? I wonder if I'm ready to talk about crafts as a form of meditation when I compare the knitted hat that I make to the doll the monkey of my daughter to practice the noble like making Tibetan sand mandala.We make things for two reasons: pleasure and because we can. "While some people consider the political or social context for their DIY activities, others consider the personal or spiritual dimension.
Matt Maranian, author of the book 'Pad: The Guide to Ultra-Living', a guide to making your own home decor specifically intended not to look like any store bought, illustrates another aspect of DIY culture: "Pad is not a book for helpless, aimless, or ignorant, Pad is a book for people who are empowered, inspired, and creative.This is a book for people who forge their own footsteps, and who know how to take advantage of what they have in hand - or can be found inexpensively.The pad is a guerrilla approach to decorating the house. "Matt articulates the sense of community and subculture that exist in the DIY culture, perhaps even hinting at some sort of intellectual succession of a society deemed" helpless... aimless.. do not know anything."
The first line of Amy Spencer 'DIY: The Rise of Lo-Fi Culture' summarizes the juxtaposition of the DIY cultural aspect by showing "the DIY movement is about using whatever you can get to form your own cultural entity: your own version of anything you do not think in the mainstream culture.You can produce your own zine, record an album, publish your own book - the lasting appeal of this movement is that anyone can become an artist or creator.The point is to get involved. "
Internet
Technological developments, new internet platforms, applications and innovations in the past ten years have made it easy for artists, makers, and creators of all types to avoid professional studios and create high-quality work. The development of media software and the development of high-speed internet access has given artists of all ages and abilities from around the world, the opportunity to create their own movies, recordings, or creative content, and distribute them through the web. Such jobs are usually displayed on private sites, and gain popularity through word of mouth recommendations or attached to chain letters (known as viral distributions).
Source of the article : Wikipedia
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